Publications

Books

The Concept of Danzō: ‘Sandalwood Images’ in Japanese Buddhist Sculpture of the 8th to 14th Centuries, London: Saffron Books, 2012.

Articles

‘Tang Dynasty Earthenwares in the Harvard Art Museums,’ Arts of Asia (Autumn 2024), pp. 61-69.

‘Early White-glazed Stonewares of the Sui and Tang Dynasties in the Harvard Art Museums,’ Arts of Asia (Autumn 2024), pp. 52-60.

‘Early Green-glazed Stonewares of the Six Dynasties Period and the Sui Dynasty in the Harvard Art Museums,’ Arts of Asia (Autumn 2024), pp. 39-51.

‘Numinous Minamiyamashiro: Treasures from the Mountains between Nara and Kyoto,’ Arts of Asia (Summer 2024), pp. 106-121.

‘Northern Chinese Stonewares from the Five Dynasties Period to the Yuan Dynasty in the Shangyatang Collection,’ Arts of Asia (Spring 2024), pp. 86-97.

‘Korean Celadon and Buncheong Ware in the Harvard Art Museums,’ Arts of Asia (Autumn 2023), pp. 102-116.

‘Goryeo Celadons in the Art Institute of Chicago,’ Arts of Asia (Spring 2023), pp. 72-85.

‘Goryeo Celadons in The Metropolitan Museum of Art,’ Arts of Asia (Autumn 2022), pp. 92-103.

‘White Wares from the Sui to the Yuan Dynasty in the Shangyatang Collection,’ Arts of Asia (Spring 2021), pp. 50-59.

‘Chinese Ceramics that Adorn the Tearoom,’ Arts of Asia, vol. 50, no. 3 (May-June 2020), pp. 109-120.

‘Early Green-glazed Stonewares from the Han to the Sui Dynasty in the Shangyatang Collection,’ Arts of Asia, vol. 49, no. 6 (November-December 2019), pp. 106-115.

‘Tibeto-Chinese Gilt Brass Sculptures of the Early Ming Dynasty in the Museum Rietberg,’ Arts of Asia, vol. 49, no. 5 (September-October 2019), pp. 84-97.

‘Buddhist Bronzes of the Liao Dynasty,’ Arts of Asia, vol. 49, no. 1 (January-February 2019), pp. 87-96.

'A Tea Master's Vision: Chinese Ceramics from the Ise Collection,' Arts of Asia, vol. 48, no. 4 (July-August 2018), pp. 36-47.

'The Buddhist Master Sculptor Kaikei: Timeless Beauty from the Kamakura Period,' Arts of Asia, vol. 48, no. 3 (May-June 2018), pp. 104-113. 

‘Lead-glazed Earthenwares from the Eastern Han to the Liao Dynasty in the Shangyatang Collection,’ Arts of Asia, vol. 48, no. 1 (January-February 2018), pp. 48-55. 

‘Masterpieces of Buncheong Ware in the Museum of Oriental Ceramics, Osaka,’ Arts of Asia, vol. 47, no. 3 (May-June 2017), pp. 66-75.  

‘Masterpieces of Goryeo Celadons in the Museum of Oriental Ceramics, Osaka,’ Arts of Asia, vol. 47, no. 3 (May-June 2017), pp. 56-65.      

‘Masterpieces of Chinese Ceramics of the Song, Jin and Yuan Dynasties in the Museum of Oriental Ceramics, Osaka,’ Arts of Asia, vol. 47, no. 3 (May-June 2017), pp. 44-55.

‘Brown- and Black-Glazed Stonewares of the Tang, Song, Jin and Yuan Dynasties from the Shangyatang Collection,’ Arts of Asia, vol. 47, no. 2 (March-April 2017), pp. 114-127. 

‘Japanese Buddhist Sculpture in the Newly Reopened Nara Buddhist Sculpture Hall at the Nara National Museum,’ Arts of Asia, vol. 47, no. 1 (January-February 2017), pp. 60-69.          

‘Golden Age of Chanoyu: Karamono Tea Utensils of the 17th Century,’ Arts of Asia, vol. 46, no. 3 (May-June 2016), pp. 100-108.

‘Buddhist Bronzes of the Dali Kingdom in Yunnan Province,’ Arts of Asia, vol. 45, no. 4 (July-August 2015), pp. 65-75.

‘Pilgrimage through Minami Yamashiro: Early Buddhist Art of Southern Kyoto,’ Arts of Asia, vol. 45, no. 2 (March-April 2015), pp. 143-151.   

‘Japanese Buddhist Sculpture in the Inaugural Exhibition of the New Heisei Chishinkan Wing at the Kyoto National Museum,’ Arts of Asia, vol. 44, no. 6 (November-December 2014), pp. 132-140.

‘Miniaturised Buddhist Worlds: Portable Sandalwood Shrines in China and Japan,’ Arts of Asia, vol. 44, no. 5 (September-October 2014), pp. 95-103.

‘Sandalwood Images of Avalokiteśvara in China and Japan,’ Arts of Asia, vol. 44, no. 2 (March-April 2014), pp. 109-115.